"BREAKING THE CHAINS"
(RE)EXISTENCE IN THE SONGS OF CLARA NUNES
Keywords:
Clara Nunes, african-derived religions, counter-coloniality, Military Dictatorship, music and resistanceAbstract
Brazilian artistic production during the Military Dictatorship was characterized by a tension between state repression and the quest for spaces of identity affirmation. In this context, Clara Nunes’s trajectory stands out for her transition from an initial romantic repertoire to an artistic expression rooted in African and Afro-diasporic religions, serving as a vehicle for (re)existence in the face of the impacts of colonial erasure. This study aims to analyze how Clara Nunes’s musical artistry—drawing on references to African and Afro-diasporic religions—functioned as an instrument for the (re)existence of cultural heritage and the strengthening of Black identity during the Brazilian Military Dictatorship. The methodology employed is qualitative, exploratory, and descriptive, utilizing documentary research. A survey of her discography from 1964 to 1985 was conducted, resulting in the identification and analysis of 24 songs. The results indicate a significant presence of African and Afro-diasporic deities, symbolic territories, and cultural manifestations within the lyrics. The final conclusions suggest that Clara Nunes’s music acted as an insurgent force that challenged the silencing policies of the authoritarian era. Her songs fostered cultural mediation and generated a sense of belonging, ensuring the continuity of ancestral knowledge and symbolic resistance against ethnocide.