ÍLẸ̀KẸ̀S

INFOMEMORY AND IDENTITY IN CANDOMBLÉ

Authors

  • Dulce Edite Soares Loss PPGCI UFPB , Federal University of Paraíba image/svg+xml
  • Carlos Xavier de Azevedo Netto

Keywords:

Candomblé, strings of beads, infomemory, identity

Abstract

The ílẹ̀kẹ̀s used in Candomblé, also known sacred necklaces or strings of beads, are sacred artifacts whose representation symbolically points out information about the experience of the subjects of this religious tradition originating in Africa. The present study aims to analyze the ílẹ̀kẹ̀s, sacred necklaces, strings of beads, in Candomblé, as infomemorial artifacts that use mnemotechnics, explaining an identity synthesis of the practitioners of this religiosity. Memory as a mechanism for preserving and perpetuating traditional ancestral knowledge in this religiosity allows, through magical-religious foundations, to analyze information and its logic of meaning in the liturgical and social use of these artifacts. With an exploratory qualitative approach, in the production of data, a bibliographical research was carried out, followed by interviews with four member from Candomblé with roots in Angola, Ketu. The results presented indicate that the ílẹ̀kẹ̀s, as symbols, carry multiple information and meanings, linked to a space and social context, revealing a religious identity.  It is concluded that the ílẹ̀kẹ̀s strands of beads are the only sacred symbols that accompany social subjects from their insertion into Candomblé until their death, marking the dynamic connection between the human and the divine, between life and death.

Author Biographies

  • Dulce Edite Soares Loss, PPGCI UFPB, Federal University of Paraíba

    Possui graduação em História pela Universidade Estadual Vale do Acaraú (2016), mestrado em História pela Universidade Federal de Campina Grande (2020). e doutora no Programa de Pós-Graduação em Ciência da Informação da UFPB (2026), atuando principalmente nos seguintes temas: candomblé,informação, memória, praticas educativas, cultura, saberes ancestrais e diversidade religiosa.

  • Carlos Xavier de Azevedo Netto

    Possui graduação em Arqueologia pela Universidade Estácio de Sá (1986), mestrado em História e Crítica da Arte - Área de Concentração em Antropologia da Arte - pela Escola de Belas Artes (1994) e doutorado em Ciência da Informação pela Escola de Comunicação (2001). Professor Titular da Universidade Federal da Paraíba, no Departamento de Ciência da Informação, atuando como docente permanente dos Programas de Pós-Graduação em Ciência da Informação - PPGCI e de Antropologia - PPGA, ambos da UFPB,

Published

2026-11-13

Conference Proceedings Volume

Section

GT 10 – Informação e Memória

Categories