MEMORY AND SILENCING IN THE MUSEUM OF HISTORY OF PARAÍBA
Keywords:
social memory, museums, memory framing, museum narrative, silencingAbstract
This paper analyzes the processes of memory framing at the Paraíba History Museum, considering the ways in which the exhibition narrative organizes different levels of historical visibility within the museum space. The study is based on the understanding that museums do not operate solely as spaces for preserving the past, but also as institutions responsible for the selection, organization and legitimization of specific historical representations. The objective of the research is to understand how the museum’s permanent exhibition distributes narrative centralities and produces silences in the construction of Paraíba’s public memory. Methodologically, the research adopts a qualitative approach and combines observation of the exhibition space, documentary analysis and interpretative analysis of the museum narrative, drawing on social memory studies, especially Pollak’s (1989; 1992) contributions on memory framing and silencing. The observations carried out indicate that the permanent exhibition gives greater prominence to characters and events related to political and administrative elites, while other historical experiences, such as Indigenous and Black populations, appear in secondary, fragmented or narratively limited forms. Inequalities were also identified in the spatial distribution of historical representations throughout the exhibition route. As final considerations, the study argues that the museum actively participates in the public construction of memory by organizing different levels of historical recognition and producing narrative hierarchies within institutionalized memory.