VISUAL GLOSSARY OF ALTERATIONS IN MOVABLE CULTURAL OBJECTS

Authors

Keywords:

knowledge organization, knowledge representation, terminology, documentation

Abstract

Among the protocols established for the conservation and management of cultural objects, documentation constitutes a fundamental tool for the recognition of collections, their quantification, qualification, diagnosis and management. In order for this work to be carried out consistently, standardized terminology is needed to accurately name changes in the condition of cultural objects. This paper presents the methodological proposal of the Visual Glossary of Alterations in Movable Cultural Objects, an ongoing project funded by the Minas Gerais State Research Support Foundation, based on consolidated results from previous research dedicated to the development of a pilot glossary on changes in easel paintings. The research mobilizes foundations from Terminology and Terminography, fields devoted to the study and systematization of languages for special purposes, in articulation with Documentation and Information Science, especially regarding knowledge organization and representation. Methodologically, it combines documentary corpus survey, term extraction and validation, terminological records, visual documentation and conceptual modeling. As a result, it discusses the transition from the pilot experience to the first implementation in paintings, understanding the Glossary as a terminological, documentary and informational instrument.

Author Biographies

  • Ana Panisset, Federal University of Minas Gerais

    Assistant Professor at the School of Information Science at the Federal University of Minas Gerais (UFMG), working in the areas of Preservation and Collection Management. Museologist (COREM 2R 1414-II) and full member of the Regional Council of Museology, 2nd Region. PhD in Arts from the School of Fine Arts at UFMG, with research focused on Cultural Heritage Preservation. Master's degree in Arts from the School of Fine Arts at UFMG, specializing in Preventive Conservation and Art Work Technology, and also holds a Master's in Museology and Heritage from PPG-PMUS UNIRIO/MAST.

  • Silvana de Fátima Bojanoski, Federal University of Pelotas

    PhD in Social Memory and Cultural Heritage from the Federal University of Pelotas (2018) with a sandwich PhD at the University of Lisbon (2017). Postdoc (2023) at the Catholic University of Chile and the National Center for Conservation and Restoration of Chile (CNCR). Since 2010, she has been a professor in the Undergraduate Program in Conservation and Restoration of Movable Cultural Heritage at the Federal University of Pelotas.

Published

2026-11-13

Conference Proceedings Volume

Section

GT 2 – Organização e Representação do Conhecimento

Categories